Kendrick Lamar GNX review/ GNX album analysis/ Kendrick Lamar Super Bowl/ Kendrick new album 2024/ Los Angeles/ Newslooks/ J. Mansour/ Morning Edition/ With the surprise release of GNX, Kendrick Lamar accelerates from zero to 60 faster than his beloved turbocharged Buick GNX, delivering a complex and captivating exploration of pride, anger, and introspection. The 12-track album roars with energy, propelled by thumping West Coast beats and Lamar’s signature lyrical dexterity, while keeping fans guessing about what might come next.
GNX channels the momentum of Lamar’s epic Pop Out concert just five months ago. The album features a vibrant mix of Los Angeles talent, from AzChike to Peysoh, blending their voices into the New West Coast soundscapes crafted by longtime collaborator Sounwave, Jack Antonoff, and a roster of top-tier producers. Tracks like “squabble up” and “hey now” are club-ready anthems that pulse with life, yet carry Lamar’s characteristic depth and introspection.
This isn’t just an album; it’s a battlefield. Lamar’s bars drip with venom, targeting everyone from Lil Wayne to Super Bowl broadcasters, all while delivering coded references to hip-hop legends like 2Pac, Biggie, and Nas. Nowhere is this more evident than on the fiery Drake feud-inspired line: “I just strangled me a GOAT, now it’s plural.”
“I deserve it all / Dangerously / Nothing changed with me / Still got pain in me.”
At 37, Lamar remains at his peak, showcasing unmatched breath control and an ability to shift cadences seamlessly. Tracks like “tv off” offer an urgent call for disconnection and reflection, a plea that will likely reverberate during his Super Bowl Halftime Show performance in February.
Lamar’s love for music’s history shines through in GNX, with samples pulled from icons like Debbie Deb, Luther Vandross, and Whodini. This reverence is paired with his uncanny ability to bridge generations of listeners, creating a gravitational pull that positions him as both a torchbearer of tradition and an innovator.
“gloria,” one of two collaborations with former TDE labelmate SZA, is a standout. In the vein of Common’s “I Used to Love H.E.R.” or Nas’ “I Gave You Power,” the track details a “complicated relationship” that at first seems to reference Lamar’s fiancée, Whitney Alford, but is ultimately revealed to be a love letter to his craft—writing.
While GNX brims with energy and ambition, it feels less cohesive than Lamar’s previous concept-driven albums like DAMN. or Mr. Morale & The Big Steppers. This looser structure suggests that GNX may serve as a prelude to a more formal project. Fans speculate about a possible “Part 2,” especially since the album’s announcement video teased a song absent from the tracklist.
Regardless of what’s on the horizon, https://www.variety.com/ He continues to navigate personal and societal contradictions, all while redefining the boundaries of hip-hop on the largest stage.
Lamar’s ability to fuse introspection with bravado, coupled with his refusal to follow trends, cements his status as one of the most dynamic artists of his generation. With GNX, he channels the same creative energy that fueled Grammy-nominated tracks like “Not Like Us” while exploring new layers of his artistry.
Whatever comes next, Kendrick Lamar remains in a league of his own, forever discomforted by his crown yet determined to wear it with purpose.
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