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Photo Credit: Brett Jordan
As Suno fends off an ever-growing number of music industry copyright complaints, a raft of subpoena showdowns – including the AI platform’s own document and deposition demands – are now in full swing. Does that mean game-changing disclosures are on the horizon?
Time will tell, though the current evidence suggests yes. Of course, third-party subpoenas aren’t exactly unprecedented in ugly (and decidedly complex) legal battles. Even so – and despite prior disclosures from Udio stakeholder a16z and others – it seems safe to say that something of a subpoena-strategy shift is underway.
To be sure, the litigating majors (meaning Universal Music and Sony Music against Suno and the latter major against Udio) have fired off motions to compel against DistroKid as well as Suno stakeholders Bond Capital, Lightspeed, Menlo Ventures, and ex-Menlo principal C.C. Gong.
(Technically, Lightspeed filed a motion to quash before any motion to compel materialized, but you get the idea.)
As we’ve broken down at length, the requests, targeting documents about the entities’ professional relationships with Suno brass, discussions and knowledge of training-related copyright liability, gen-AI music’s market-dilution risks, and a whole lot else, could produce findings that would be consequential in virtually every copyright suit against Suno.
Additionally, given the broad nature of the present demands, the plaintiffs might obtain specifics about Suno’s Warner Music, Believe, and BMG licensing pacts. (It isn’t a secret that Universal Music and Sony Music have been eyeing those agreements for some time.)
From Menlo, for instance, the non-Warner majors are seeking “ALL DOCUMENTS and COMMUNICATIONS RELATED TO copyright law in relation to SUNO” – an ask that, along with a similar request concerning their recordings, would presumably shed light on the terms at hand.
As such, it’s worth tracking the corresponding motions to compel from here, especially given the significance of past revelations across the board. Both Round Hill and Reservoir Media cited The Atlantic’s searchable AI Watchdog training database in their recently submitted Suno complaints, for instance.
Just as interestingly, Suno is also letting the subpoenas fly, referring in part to an ongoing motion to compel that extends to troves of DSP play-volume data from 2021 to the present from the Mechanical Licensing Collective (MLC).
As we exclusively reported, the MLC doesn’t seem in a hurry to turn over the information, which, in Suno’s and Udio’s view, could show that AI outputs aren’t diverting material streams and royalties from proper music.
Furthermore, in pushing back against the request after months of talks, the MLC cited, among other things, DSPs’ alleged opposition to providing the details. Though Suno returned fire by alleging the services’ lack of written concerns, it isn’t a stretch to assume that they’d oppose the disclosure.
One of multiple angles here: We already know fraud has run rampant on AI slop, and historically, services haven’t prioritized transparency after failing to halt fake play operations.
Needless to say, the same services rely heavily on the majors’ catalogs and are eager to maintain positive professional relationships with the rightsholders. Put differently, is AI audio really raking in the royalties?
Suno wants an answer, which leads to yet another subpoena clash: Apple is trying to quash a deposition demand for all manner of information about Apple Music’s AI royalties and policies.
This includes “contractual provisions that limit” Apple Music’s “ability to preference or ‘steer’ toward lower-cost or no-cost content.”
Among the many other topics Suno is attempting to learn about: The service’s “contractual provisions guaranteeing minimum royalties paid” to Universal Music and Sony Music; provisions related to gen AI content; royalty-calculation distinctions between AI and non-AI audio; the on-platform prevalence of streaming fraud; and projections of Apple Music’s commercial viability without the plaintiffs’ catalogs.
As for what comes next, the motion to quash (or approve a protective order for) the “irrelevant, overbroad, and disproportionate” subpoena is scheduled for December 1st.
Wherever the cards fall, even if Suno’s motion is denied or redactions hit the documents’ public versions, telling disclosures could well be forthcoming.
